This practical guide to the psychology of effective communication is suitable for anyone for whom communication in groups is a key part of their job. No previous knowledge of psychology is assumed and the emphasis is on exercises, key point summaries, assessment and improving your skills in everyday situations like committees, project teams, seminars and focus groups.
Suitable as an introduction for psychology students, it will be invaluable for students of business, medicine, allied health, social work and probation, whether studying on a short course or attending an intensive training session as part of their continuing professional development.

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The Great Taste of Virginia Seafood is a showcase for the abundant variety of Virginia seafood, with over 300 recipes for seafood lovers. The Great Taste of Virginia Seafood includes: Gourmet recipes from celebrated Virginia chefs, Prize-winning recipes from the Annual Virginia Seafood Contest, Hors D'oeuvres and Appetizers, Soups and Chowders, Salads and Side Dishes, and Main Courses. The Great Taste of Virginia Seafood features a special "how to" section with black-and-white photographs on the best way to buy and prepare seafood, fun facts about fish and shellfish, historical tidbits about Virginia seafood, and 8 pages of full color photographs.

This is a boxed set of Anthony Caro: Drawing in Space, Anthony Caro: Interior and Exterior, Anthony Caro: Figurative and Narrative Sculpture, Anthony Caro: Small Sculptures and Anthony Caro: Presence. The box has been specially designed by Anthony Caro. Anthony Caro restlessly explored an unpredictable range of sculptural possibilities, testing limits and positing new ideas about the nature of eloquent three-dimensional objects. Through his expansion and transformation of the legacy of construction in metal pioneered by Julio Gonzalez and Pablo Picasso, and further developed by David Smith in the USA, Caro created a new, multivalent language of three-dimensional abstraction. The Caro pendulum swung between extremes of linearity and robustness, abstractness and allusion. He countered his mastery of line and transparency with investigations of our responses to mass and perceptions of interior and exterior, even experimenting with literally enterable sculptures. He made rigorously abstract constructions that resemble nothing but themselves, intimate table-based pieces, monumental constructions like metaphorical architecture, and complex multi-part cycles of narrative works that pulse in and out of explicit illusionism. And more. The range and variety of Caro's sculpture notwithstanding, there are also common threads that run through all of his work. The five volumes in this set, each by a different critic, examine the various aspects of Caro's evolution individually, tracing the permutations of different themes - narrative, volume and mass, line and openness - throughout his work, over time. Each volume is independent and explores different territory, but cumulatively, by tracing these dominant themes, they provide new insight into the achievement of one of the undisputed giants of Modernist art.

This volume is an insightful compilation of wit, humor, political commentary, soul-searching, and love. Theresa tackles a variety of themes from lighthearted glimpses of family and friends to more thought-provoking discussions of good and evil. While her book primarily features free-verse, there is also a sprinkling of Haiku, limerick, and a sonnet.

This volume is an insightful compilation of wit, humor, political commentary, soul-searching, and love. Theresa tackles a variety of themes from lighthearted glimpses of family and friends to more thought-provoking discussions of good and evil. While her book primarily features free-verse, there is also a sprinkling of Haiku, limerick, and a sonnet.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.